![]() Rankine's collection attests to various models of documentation and accentuates the limits of their representational strategies.Īrchival form is integral to the book's function as historical record and to promoting various modes of poetic documentation. At the same time, the book reflects a pointed investment in narrativizing and thus making the contours of its archive visible. Don't Let Me Be Lonely actively archives, gathering distinct forms of documentation that testify to contemporary incidents and facts. A constellation of photographs and text―prose poems extending into an expansive set of endnotes―the volume provides a repository for details about these and other recent historical events. ![]() news media at the turn of the twenty-first century, which highlight, for example, TV coverage of the death of Princess Diana, the execution of Timothy McVeigh, and the acts of racist police violence that caused the death of Amadou Diallo and the near death of Abner Louima. ![]() The images of memorial artifacts mix with those from U.S. ![]() The X-ray image of a cancerous breast lump, warning labels from assorted prescription medication bottles, still shots of well-known movies, and photographs of unused stretchers at Ground Zero in New York City are among the visual materials in Claudia Rankine's volume Don't Let Me Be Lonely: An American Lyric (2004). ![]()
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